Weddings
The full vivah sanskar with sung pheras, explained vows, the pandit ensemble and the guitar finale.
- Saptapadi
- Varmala
- Kanyadaan
- Vidaai
पुणे · वैदिक विवाह संस्कार
Hemant Acharya is a priest and a singer. He sings each mantra, stops to explain what the vow you are about to take actually means — and when the rituals are done, he picks up a guitar.
Not hurried through under the breath. The pheras are sung as devotional compositions, so the mandap actually falls quiet to listen.
Between the verses he stops and says, in plain words, what you are promising — companionship, shared duty, mutual respect.
When the rituals are complete, the guitar comes out. Families rarely see it coming, and it is the part they talk about afterwards.
The ceremony
The vow, sung — a garden mandap ceremony
Most families have sat through a wedding where the Sanskrit went past too fast to catch. That is the thing Hemant Acharya set out to fix.
He trained as a singer before he trained as a priest, and he brings that to the mandap. Each shloka is given a melody and sung properly — held, phrased, and pitched so it carries to the last row of chairs. The ritual stays exactly as the scriptures set it down. What changes is that people can hear it.
Saptapadi at the agni
Between verses he pauses and translates — not word for word, but plainly. What companionship is being promised here. What duty the two of you are agreeing to share. What respect is being asked of both, not one.
Couples describe it as the first time they understood their own wedding. Elders tend to notice something else: nothing has been shortened, skipped or modernised away to make room for it.
Guitar in his lap, harmonium at his side
The rituals finish. The priest reaches behind him, picks up a guitar, and sings — often an Arijit Singh number, in a deep voice that has been warming up all evening without anyone realising.
A tabla joins. Then keys. The mandap turns, for a few minutes, into a concert. It is the moment guests film, and the reason a Hemant Acharya wedding gets described afterwards rather than merely attended.
सप्तपदी · The seven steps
These are the words that actually marry you. Here are the first three, as he sings and explains them at the fire.
ॐ इषे एकपदी भव
Take the first step with me, for nourishment. We will keep a home where no one — child, parent or guest — goes without. The vow is about provision, and it is asked of both of you.
ॐ ऊर्जे द्विपदी भव
The second, for strength. Not only the body's — the strength to hold each other steady through the years that will test the two of you.
ॐ रायस्पोषाय त्रिपदी भव
The third, for prosperity. That what we build, we build together and by honest means — and that neither of us keeps a separate account of it.
The ensemble
A trained group of young pandits comes with him — seated on microphones, chanting in unison from the same books, in white kurtas and rose-and-gold angavastram. A mandap with a choir in it sounds nothing like a mandap with one man muttering in it.
The road here
The man conducting your wedding did not come to this work in a straight line. He grew up in Uttar Pradesh, trained his voice, and auditioned for Indian Idol long before he ever led a ceremony. He arrived in Pune in 2015 carrying that voice and not much else.
What he did with it was unusual: rather than choosing between the temple and the stage, he refused to. The training that would have made him a singer is the same training that now makes the Saptapadi audible to a hundred and fifty people sitting on a lawn.
Where he grew up.
Auditions for Indian Idol as a singer.
Moves to Pune.
Conducts ceremonies across Pune and beyond, with a trained ensemble of pandits.
“My father told me I would grow in life only if I controlled my anger.”
Ceremonies
The full vivah sanskar with sung pheras, explained vows, the pandit ensemble and the guitar finale.
He travels with his ensemble — resort lawns, palace courtyards, beach mandaps. Sound needs are planned in advance so the singing carries.
Moving into a new home. The puja is done in full, with the significance of each step explained to the family as it happens.
The katha narrated rather than raced through, with the bhajans actually sung — the form the ritual was meant to take.
The ceremonies that mark a child's first years, conducted warmly and at a pace grandparents and toddlers can both keep up with.
Ground-breaking, office openings and Vastu ceremonies for businesses — run to time, and explained in language a mixed audience follows.
Book him purely as a singer. An evening of bhajans and kirtan with live tabla and keys — for a sangeet, a jagran, or a home gathering.
The complete musical wedding: ceremony, ensemble and live band as one booking, from the varmala through to the last song of the night.
From the mandap
The garlands are exchanged on the mandap while he plays behind it, tabla and keys alongside.
The circling of the fire — sung through, with the meaning given as it happens.
Bookings
Wedding dates get taken early, and the good muhurats go first. Send the date and the city — he will tell you straight away whether he is free.
Common questions
Yes. Nothing is cut, shortened or replaced. The vidhi follows the shastras as written — the difference is only that the mantras are sung rather than muttered, and their meanings are said aloud. Elders are usually the ones who appreciate it most.
Yes, across India for destination weddings, with his ensemble. Travel and stay for the group are worked out when you book. Tell him the venue early so the sound setup can be planned — the singing only works if it carries.
As early as you have a date. Peak muhurat dates in the wedding season fill up months in advance, and the ensemble can only be at one mandap at a time.
Tell him your family's customs when you enquire — regional variations, kul devta rituals, the order your family follows. He plans the ceremony around your traditions, not a standard script.
Yes. Bhajan sandhya, kirtan and sangeet-night performances are available as a separate booking, with live tabla and keys.